It is rare for an organist to achieve mastery in two distant periods of music history—a feat that Iveta Apkalna brilliantly demonstrates, revealing unsuspected links between the works of Bach and Glass.

Mahler’s final symphony, which he never heard, exudes a feeling of eternity. At the head of the Royal Concertgebouw of Amsterdam, Myung-Whun Chung elevates its beauty, tragic grandeur and prophetic visions

Paul Agnew and Les Arts Florissants continue their journey through the six books of Gesualdo’s Madrigals. In Book 4, dissonances abound, endowing these pages with unparalleled expressiveness.

Each recital by Nelson Freire is a lesson in the art of music, offering an infinite palette of colours, glowing cantabile, the orchestral power of his playing and his ability to caress the keyboard, drawing out its most delicate sounds.

Tugan Sokhiev’s moving interpretation of Mahler’s sublime “Resurrection” Symphony, with a masterfully harmonious vocal duo and the excellent Orfeón Donostiarra choir.