Agenda

E.g., 01/04/2020
More filters
Tuesday
12/01

Concerts

Vocal Concert
8:30pm
8:30pm
Salle des concerts - Cité de la musique
Les Talens Lyriques and Christophe Rousset resurrect a Lully ballet which was danced by the nobles, including Louis XIV, at the French Court in 1665: the Ballet royal de la naissance de Vénus.
Salle des concerts - Cité de la musique
Les Talens Lyriques and Christophe Rousset resurrect a Lully ballet which was danced by the nobles, including Louis XIV, at the French Court in 1665: the Ballet royal de la naissance de Vénus.

Linked events

Activities

Friday
15/01
2nd Pierre Boulez Biennial

Concerts

Concert
8:30pm
2nd Pierre Boulez Biennial
8:30pm
Grande salle Pierre Boulez - Philharmonie
For the inaugural concert of the second Pierre Boulez Biennial, Daniel Barenboim conducts Dérive 2, which he considers the composer’s masterpiece. In its finesse and colours, the piece draws parallels with the oeuvre of Claude Debussy.
Grande salle Pierre Boulez - Philharmonie
For the inaugural concert of the second Pierre Boulez Biennial, Daniel Barenboim conducts Dérive 2, which he considers the composer’s masterpiece. In its finesse and colours, the piece draws parallels with the oeuvre of Claude Debussy.

Activities

Saturday
16/01
2nd Pierre Boulez Biennial

Concerts

Symphonic Concert
3:00pm
3:00pm
Grande salle Pierre Boulez - Philharmonie
The Pasdeloup Orchestra turns to the East for a concert of music from the 19th century to today, ranging from Tchaikovsky to Prokofiev to Agata Zubel.
Grande salle Pierre Boulez - Philharmonie
The Pasdeloup Orchestra turns to the East for a concert of music from the 19th century to today, ranging from Tchaikovsky to Prokofiev to Agata Zubel.
Piano Recital
5:00pm
2nd Pierre Boulez Biennial
5:00pm
Le Studio - Philharmonie
This first segment of Pierre Boulez’s complete piano music features three important works: Notations, his ‘notes from an apprenticeship’ that would later be spectacularly developed for orchestra, and the First and Third Sonatas.
Le Studio - Philharmonie
This first segment of Pierre Boulez’s complete piano music features three important works: Notations, his ‘notes from an apprenticeship’ that would later be spectacularly developed for orchestra, and the First and Third Sonatas.
Symphonic Concert
8:30pm
8:30pm
Grande salle Pierre Boulez - Philharmonie
The music composed by Prokofiev for Eisenstein’s unfinished film Ivan the Terrible is performed by the Orchestre national d’Île-de-France,  Chœur Stella Maris and Pablo González.
Grande salle Pierre Boulez - Philharmonie
The music composed by Prokofiev for Eisenstein’s unfinished film Ivan the Terrible is performed by the Orchestre national d’Île-de-France,  Chœur Stella Maris and Pablo González.
Concert
8:30pm
2nd Pierre Boulez Biennial
8:30pm
Le Studio - Philharmonie
This second part of the complete cycle of Pierre Boulez’s piano music showcases rare pieces, with three scores drawn from his catalogue. His last composition for piano solo, Incises, resounds as a particularly brilliant work.
Le Studio - Philharmonie
This second part of the complete cycle of Pierre Boulez’s piano music showcases rare pieces, with three scores drawn from his catalogue. His last composition for piano solo, Incises, resounds as a particularly brilliant work.
2020-21 Season

Activities

Sunday
17/01
2nd Pierre Boulez Biennial

Concerts

Piano Recital
3:00pm
2nd Pierre Boulez Biennial
3:00pm
Le Studio - Philharmonie
This programme by Michael Wendeberg and Nicholas Hodges combines the more rare—Sonata for Two Pianos (1948)—with the more radical—Book I of Structures—composed four years later, an important milestone in Pierre Boulez’s...
Le Studio - Philharmonie
This programme by Michael Wendeberg and Nicholas Hodges combines the more rare—Sonata for Two Pianos (1948)—with the more radical—Book I of Structures—composed four years later, an important milestone in Pierre Boulez’s...
Concert
4:30pm
2nd Pierre Boulez Biennial
4:30pm
Salle des concerts - Cité de la musique
Far from starting with a clean slate, Pierre Boulez draws from the past to create his own music—as with the early liturgical forms used for Répons and Anthèmes 2, performed here in the version for viola by Odile Auboin.

 
Salle des concerts - Cité de la musique
Far from starting with a clean slate, Pierre Boulez draws from the past to create his own music—as with the early liturgical forms used for Répons and Anthèmes 2, performed here in the version for viola by Odile Auboin.

 

Linked events

Activities