For his three-concert series, Rufus Wainwright presents songs from his pop albums organised into three broad categories. Act I is devoted to ‘Songs of Youth and Addiction’. 

Starting with the first day of the covid 19 lock down in March 2020, Rufus Wainwright performed a song each day for his Instagram Followers calling this new series "Quarantunes". His fans around the world embraced these daily musical messages from his home in Laurel Canyon in Los Angeles. A few months into the pandemic he decided to embark on A Rufus-Retro-Wainwright-Spective, a series of 20 live stream concerts from his living room with his guitar player Brian Green and pianist Jacob Mann going through his entire studio album song catalogue in chronological order. Each 45 minute show had a micro-audience of one from Jamie Lee Curtis to Renee Zellweger, James Corden to Darren Criss, from Zach Galifianakis to Paul Rudd. 

For his 3 concert Rufus-Retro-Wainwright-Spective at the Philharmonie in Paris Rufus has decided to take a different approach and focus on his pop studio albums and arranging the songs not chronologically but thematically into 3 main categories: Songs of Youth and Addiction, Songs of Love and Desire, Songs of Contempt and Resistance. This is the first time that Rufus is presenting his retrospective live. While his albums are overflowing with lush orchestral arrangements, back up vocals and harmonies, that showcase his many influences from Opera to Broadway to Chanson, operetta and experimental pop, for his three Paris show, the presentation of the songs will be stripped down, focusing on the craft of the songs and Wainwright's unique and gorgeous voice that let's him immerse himself deep into the emotional world of a song and take the audience with him.

Act 1: Wainwright debuted his first album at the age of 25. His songwriting goes back more than a decade before. He has been outspoken about his struggle with addiction to drugs and alcohol but ultimately his addiction to life and his art and music has been greater and prevented him from a darker fate. Addiction is an expression of obsession and Wainwright harbors many an obsession that show up throughout his entire catalogue: with love, with men, with opera, with Hollywood's Golden Period, or with chocolate. It is these obsessions that are fuel for his searching as an artist.