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Orchestre de Paris / Karina Canellakis

Aušrinė Stundytė - Jennifer Johnston - Stefan Vinke - Mikhaïl Petrenko - Chœur de l’Orchestre de Paris - Mozart, Pärt, Janáček
Symphonic Concert
Grande salle Pierre Boulez - Philharmonie

Program

Wolfgang Amadeus Mozart
Musique funèbre maçonnique
Arvo Pärt
Stabat Mater
Leoš Janácek
Messe glagolitique

Distribution

Orchestre de Paris
Choeur de l'Orchestre de Paris
Karina Canellakis, conducting
Aušrinė Stundytė, soprano
Jennifer Johnston, mezzo-soprano
Stefan Vinke, tenor
Mikhail Petrenko, bass
Lionel Sow, choirmaster
Mozart first, with his Masonic Funeral Music: a poem of mourning, thus relating to suffering of the Virgin Mary in Arvo Pärt’s Stabat Mater, but which seems to elevate Janácek’s Glagolitic Mass in its vibrant affirmation of life.

Mozart’s funeral piece, dominated by woodwinds and composed in memory of two brethren from the Masonic lodge ‘Beneficence’ of which he was a member, is a remarkable concentration of expressive sorrow. Originally conceived for vocal trio and string trio, Arvo Pärt’s Stabat Mater, characteristic of his inimitable poetics of sound, seems to take distance from grief itself, transposing the emotion onto a broader spiritual plane. With his Glagolitic Mass, the title of which celebrates the eponymous early Slavic alphabet, Janácek turns the affirmation of faith into a pagan ritual, celebrating the energy of life and, implicitly, of the young Czech nation.   
Karina-Canellakis

Grande salle Pierre Boulez - Philharmonie

See the venue

Getting here

Porte de Pantin station
Paris Underground (Métro) Line 5
Tram 3B 

Address

221 avenue Jean-Jaurès, 75019 Paris

To leave after this concert

taxi G7