Vocal Concert

L’Invitation au voyage

Chœur de chambre de l’Orchestre de Paris - Chœur de chambre Figure humaine - Lionel Sow - Denis Rouger - Katharina Schlenker - CONCERT REPORTÉ AU 20 MAI 2021

Orchestre de ParisOrchestre de Paris © Marco Borggreve
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Sunday, 24 January 2021 — 3:00pm
Salle des concerts - Cité de la musique
Duration: about 1h30


  • Mélodies et lieder de Lili et Nadia Boulanger, Peter Cornelius, Henri Duparc, Claude Debussy, Gabriel Fauré, Fanny Hänsel, Charles Gounod, Clara Schumann, Hugo Wolf
  • Georges Bizet
    Adieu de l'hôtesse arabe
  • Lili Boulanger
    Hymne au Soleil - Reflets
  • Nadia Boulanger
    Soir d'hiver
  • Yves Castagnet
    L'invitation au voyage
  • Claude Debussy
    Beau Soir
  • Henri Duparc
    Chanson triste
    L'invitation au voyage
    La vie antérieure
  • Gabriel Fauré
    Au bord de l'eau
    Chanson du pêcheur
    Les berceaux
  • Charles Gounod
  • Fanny Hensel
    Im Herbste
  • Augusta Holmès
    La belle Madeleine
  • Camille Saint-Saëns
    Soirée en mer
  • Clara Schumann
    ich hab' in deinem Auge
  • Hugo Wolf


  • Choeur de chambre de l'Orchestre de Paris
  • Choeur de chambre Figure humaine
  • Lionel Sow, conducting
  • Denis Rouger, conducting
  • Katharina Schlenker, piano

Baudelaire’s famous invocation, ‘L’Invitation au voyage’, is the theme for this programme of transcriptions of melodies and Lieder for choir accompanied by piano.

We know that romanticism—with Schubert, Brahms, Robert and Clara Schumann, up to Hugo Wolf—owes to Lied culture the blending of music and poetry that transfigures a popular element into highest art. But the same applies in French melody, which, with figures such as Gounod, Duparc, Fauré and Debussy, created a constellation of extraordinary subtlety, quite literally renewing the perception of the poetic heritage. The ‘lyrical me’ of the voice, which the piano accompanies as a character in its own right, do more than elevate the poetry of Baudelaire, Verlaine, Hugo, and so many others: they profoundly reinvent the meaning, bringing forth hidden virtualities. This almost magical operation is further enhanced by the transcription, which transposes the eternal appeal of melody and Lied to the scale of a choir, with its rich sound, uniform yet contrasted sections, and changing spatiality.