Les invitations que nous proposons sont allouées par ordre de réponse, sur inscription et dans la limite des places disponibles.
Pour répondre à l’ensemble des demandes, les invitations sont limitées à 1 concert par structure par demi-saison, avec un maximum de 10 places par demande.
Les places disponibles s’épuisant rapidement, merci de nous faire une proposition de 3 concerts par ordre de préférence. Nous essaierons d’honorer l’un de vos choix en fonction du nombre de places disponibles. En cas d’indisponibilité, nous vous inscrirons sur liste d’attente pour ces concerts.
Nous vous remercions de nous faire parvenir vos demandes à l’adresse champsocial@philharmoniedeparis.fr en indiquant :
- les concerts retenus ;
- le nom et l’adresse de la structure ;
- le nombre de places souhaité ;
- votre numéro de téléphone.
Toute demande de réservation doit recevoir une confirmation écrite de notre part pour être valide.
Pour chaque concert, cliquez sur « Infos & Réservation » puis sur « pour les groupes » pour consulter le quota d’invitations disponible.
Composed between 1886 and 1907, the quintets of Amy Beach and Rita Strohl reflect two passionate temperaments, united by a shared affinity for the waning Romantic era.
The blend of sacred and profane, spirituality and passion, characterizes the aesthetics of the Baroque New World. Just follow the choral momentum and throw yourself wholeheartedly into the blaze!
This new Eldorado blends music and imagery in a poetic exploration of the American Dream. A unique road music experience featuring Solrey, the Traffic Quintet, artist and filmmaker Dominique Gonzalez-Foerster, and visual artist Ange Leccia.
Die schöne Müllerin weaves together quintessentially Schubertian themes—love, solitude, wanderlust, reverie, nature and death. Matthias Goerne and Daniil Trifonov capture the essence of human fragility with impeccable nuance and sensitivity.
From the luminous elegance of Ibert’s Escales to the grandeur of Honegger’s Third Symphony and the fiery intensity of a landmark concerto—Jonathan Nott and Khatia Buniatishvili champion a programme of striking contrasts.
For their third and final journey through Schubert’s world, Matthias Goerne and Daniil Trifonov focus on works from the composer’s final days. They revisit Schwanengesang, a song cycle featuring poems by Rellstab, Heine and Seidl, and the Sonata D 894.
Jérémie Rhorer and Le Cercle de l’Harmonie present a fresh Rigoletto, following their 2022 production that captivated both audiences and critics at the Berlioz Festival.
Marking Holy Week, Jordi Savall and Le Concert des Nations honour the figure of Christ with oratorios by Haydn (The Seven Last Words of Our Saviour on the Cross) and Beethoven (Christ on the Mount of Olives).
‘There is a time for everything’, says Ecclesiastes. A time for love and a time for loss, a time for war and a time for joy. Between darkness and light, between Couperin and Vivaldi, the cellos of Sonia Wieder-Atherton sing.
Having displayed all his conducting finesse in Debussy's luminous hedonism, Esa-Pekka Salonen transforms himself into a composer for an exceptional premiere, before celebrating Finland's eternal bard in Sibelius.
Framed by the near-pictural precision of Strauss and the exhilarating breath of Sibelius, Bartók's diabolical Concerto No.2 crackles under the bow of Renaud Capuçon!
Italian musician Caterina Barbieri, a rising star in today’s electronic scene, wields modular synths like a true magician. Joined by artists from the same vibrant constellation, she presents her new live performance.
Specialising in open-instrumentation scores, Ensemble Dedalus (associated with the GMEA) presents a programme featuring three iconic figures of modern American music: Pauline Oliveros, Julius Eastman, and Tom Johnson.
To mark their 30th anniversary, France’s Centres Nationaux de Création Musicale (CNCM) present an innovative evening: a sound circuit featuring a loudspeaker orchestra and various live performances.
After more than two decades of collaboration, the duo of Jean-Guihen Queyras and Alexandre Tharaud radiates a rare musical intimacy, blending depth and fluidity.
In The Kid, Charlie Chaplin sees the world through a child’s perspective, casting a compassionate gaze on those sidelined by 1920s American society. Timothy Brock conducts the Orchestre National de Lille in his 2016 restoration of the original score.
Under the baton of their founder, William Christie, Les Arts Florissants perform two exquisite gems of early-18th-century Italian sacred music: Scarlatti’s St. Cecilia Mass and Vivaldi’s Magnificat.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
Irresistible for its popular accents and powerful lyricism, Grieg's virtuoso Concerto is a prelude to the literary journey, strewn with references and ironies, that Mahler's restless soul composes.
Saxophonist Joshua Redman—a giant of modern American jazz, celebrated for the supreme expressive elegance of his playing—takes the stage in a quartet performance, a format in which he particularly excels.
Rhythmic energy and dance élan dominate this program of contrasts, which sees Ava Bahari's bow climb the Everest of virtuosos: Ravel's Tzigane.
A delightful musical tale and a masterful symphonic page that defies all superlatives: two contrasting works with one thing in common: a true declaration of love for the orchestra!
Beethoven at his most fiery meets Poulenc at his finest: after the searing drama of Egmont and the relentless momentum of the Fifth Symphony, a captivating concerto celebrated for its solemnity and rich timbres.
Ukrainian pianist Vadym Kholodenko stands out as a singular and captivating force on the international piano stage. A charismatic ambassador of the Russian piano school, he is also a bold explorer, defying expectations with daring repertoire choices.
The Italian conductor and French cellist embark on a celebration of song—bold and ecstatic in Wagner, radiant in Saint-Saëns, and elusive or resplendent in La Mer, a luminous work shimmering with myriad hues.
Between the fatum that attaches itself to Shakespeare's tragic lovers and the Taste of Metal, presented for the first time to French listeners, Schumann's Concerto slips its worried murmur into both light and shadow.
Wim Vandekeybus, a major figure on the Flemish choreography scene, recreates his breathtaking debut piece, What The Body Does Not Remember. As bold and creative as the dance itself, the music is performed by the Ensemble intercontemporain.
A musical journey into the legendary world of the popular Assassin’s Creed series, thanks to Nicolas Horvath’s inspired interpretations.
Iconic games from the Assassin’s Creed saga performed by a full orchestra, for a remarkable immersive experience that seamlessly blends music and visuals.
A programme featuring orchestral interpretations of emblematic works by composer Nobuo Uematsu.
International DJs and composers bring back the Chiptune sounds of the 80s, reviving the lo-fi music genre crafted using the electronic chips of vintage 8-bit gaming consoles.