Dedicated to the symphonic scores that illuminate films past and present, the Yellow Socks Orchestra offers a unique musical experience, reviving one of the first masterpieces of animated cinema, inspired by One Thousand and One Nights.

Alexandre Tharaud is a pianist of eclectic tastes, unafraid to venture beyond his instrument’s familiar terrain—while remaining a deeply and resolutely French artist, in both his interests and his sensibility.

After performing Rinaldo in February 2026, Les Arts Florissants and Paul Agnew continue their journey through Handel’s operatic repertoire with Riccardo primo.

George Benjamin and Ensemble Intercontemporain share forty years of friendship, dating back to 1987, when they premiered his Antara. He returns to the podium with a carte blanche that he has fashioned as a celebration of the concerto.

The great master of early music, Jordi Savall, continues to expand his repertoire: after Beethoven, Schumann, and Mendelssohn, he now turns to Brahms with A German Requiem.

Miguel Poveda, a leading figure of contemporary flamenco, brings to the stage Poema del Cante Jondo—his splendid album crafted with guitarist Jesús Guerrero—where he masterfully interprets texts by Federico García Lorca.

A panoramic evening in which the music of rural Morocco meets flamenco and the blues. The all-female ensemble Lâabat de Ben Slimane and Amazigh diva Chérifa Kersit are the twin stars of this powerful musical encounter.

Conceived as a journey across Morocco’s diverse lands, this family-friendly show celebrates the rich artistic heritage of Amazigh women alongside diva Chérifa Kersit and the illustrious Ensemble Lâabat de Ben Slimane.

The Paris Mozart Orchestra, long committed to championing the place of women in the arts, is the ideal ensemble to pay tribute to the literary legend George Sand and to trace her rich connections with the musicians of her time.

A cellist by training, Victor Julien-Laferrière founded the Orchestre Consuelo in 2021, taking its name from George Sand’s heroine, a figure of unwavering devotion to art. The ensemble’s repertoire is firmly rooted in the Romantic era.

Daniel Harding conducts the Accademia Nazionale di Santa Cecilia in a programme featuring works by Brahms and Strauss, with soprano Rachel Willis-Sørensen performing the Four Last Songs.

From the sumptuous Piano Concerto No. 2, in the hands of Beatrice Rana, to the radiant Symphony No. 2, under the enthusiastic baton of Yannick Nézet-Séguin, two facets of an emblematic Romantic master are revealed.

The Orchestre Français des Jeunes, a true training ground for aspiring orchestral musicians from conservatories across France, performs under the baton of its new Music Director, Kristiina Poska, appointed in 2025.

Poised between performance piece and classical recital, Jean Rondeau’s Sisyphe explores the notions of return, repetition, and refrain in a seamless continuum—inviting us simply to embrace the unknown and be carried by the unfolding mystery of sound.

Cocoon’s new album What We Leave Behind reveals songwriting at its most assured, in intimate folk-pop, tinged with light and shadow. Mark Daumail, the project’s founder and guiding spirit, takes the stage here for the first time as a solo performer. 

This new concert from La Boîte à Pépites brings together over fifteen musicians for an evening of discovery, featuring a rich array of works by largely overlooked women composers.